Judd Morrissey is a writer and code artist who creates poetic systems across a range of platforms incorporating computational text, internet art, live performance, and augmented reality. He is the creator of digital literary works including The Precession: An 80 Foot Long Internet Art Performance Poem (2011), The Last Performance [dot org] (2009), The Jew's Daughter (Electronic Literature Collection, 2006), and My Name is Captain, Captain (Eastgate Systems, 2002). He is a recipient of acknowledgements including a Creative Capital / Andy Warhol Foundation Arts Writers Grant and a Fulbright Scholar’s Award in Digital Culture.
His projects have been included in a broad range of festivals, conferences and exhibitions with recent venues including Centro de Arte Contemporáneo (Buenos Aires), Zero1 Garage (San Jose), Eyebeam (NYC), Le Cube (Paris), Casa das Caldeiras (Coimbra), Anatomy Theater & Museum (London), Performing House (York), Center of Contemporary Culture Barcelona, Museum of Contemporary Art Chicago, Landmark Kunsthalle (Bergen), House of World Cultures (Berlin), Teatre & TD (Zagreb), and the Chicago Cultural Center. His work has been the subject of numerous critical studies and reviews have appeared in the New York Times, The New Republic, RAINTAXI, and the Iowa Review.
Judd is an Assistant Professor at the School of the Art Institute of Chicago in Art and Technology Studies and Writing. In 2012, he co-founded the performance and technology collective Anatomical Theatres of Mixed Reality (ATOM-r). The group are in a long-term residency at the National Museum of Health and Medicine in Chicago. Their first work, The Operature, premiered in 2014, and they are currently working on new large-scale project, Kjell Theøry, scheduled for completion in 2017.