The planned installation of a permanent public sculpture in Chicago, a well drawing potable water in a publicly accessible location, forms the basis for this collaboration between Susan Gzesh (Director, Pozen Center for Human Rights, University of Chicago), Iñigo Manglano-Ovalle (Professor Art, Theory, and Practice, Northwestern University) and Abigail Winograd (MacArthur Curator, Smart Museum of Art). The latest in Manglano-Ovalle’s Well series, the sculpture will become a site for gathering, for conversation, and for reflection on water.
Beginning in Spring 2021, Amber Ginsburg (Department of Visual Arts at the University of Chicago), Sara Black (Department of Sculpture at The School of the Art Institute of Chicago) and Samantha Frost (Department of Political Science and the Department of Gender and Women’s Studies at the University of Illinois, Urbana-Champaign) engage in a two-year collaborative art project called Untidy Objects. At the center of this project is a multi-sensory living sculpture, through which the collaborators aim to capture the relationship between a living subject and its world.
Transliterative Tease: A Radical Reader
Drawing on the form of the board book or reading primer, and in particular its avant-garde heritage and pedagogical mission in the former USSR, Transliterative Tease: A Radical Reader, takes up the problem of worldbuilding through language acquisition, albeit a century later: that is, a decidedly decolonial one where Soviet books were imperialist, a queer one where the former were decidedly heteronormative, a heteroglossic one where the Soviets were almost Muslim in their emphasis on unicity.