Unsuspending Disbelief: The Subject of Pictures, conceived and organized by Laura Letinsky (Dept. of Visual Arts) with Zach Cahill (Open Practice Committee) is a daylong symposium that will address questions regarding what a photograph pictures as opposed to what a photograph “means,” seeking out a more precise ontological mapping of the relationship between pictures and photography.
Despite our longstanding knowledge that what we see, how we see, and how we “picture” is not natural but rather a complex negotiation of physiological, psychological, historical, and social factors, the photograph’s ubiquity naturalizes its ways of describing The fact that what was before the lens—be it person, place, or indistinct blob—imposed its reflection onto the receptive mechanism of the camera is taken as concrete evidence, a truth about the world even at a time when “truthiness” (to borrow comedian Stephen Colbert’s term) makes evident the irony of even this possibility. What is “pictured” in a photograph is regularly taken as evidentiary, and in identity discourse, what is pictured matters. However, like ink squiggles on a white page that form letters and words—creating a whole complex of signification subject to interpretation— what the photograph actually means is in fact rarely self-evident and equally relative.
Particular characteristics of photography that were once necessary for the medium’s inclusion within the cannon of high art—such as intentionality, control, specificity, and originality—are today utilized alongside spontaneity, accident, ordinariness, and quotation. These latter qualities were actualized through photography itself and are now synonymous with post-modernism. This symposium doesn’t propose a radical departure from the contemporary photographic discourse: its aims are at once more modest and precise. Rather than proposing the rhetoric of rupture, this symposium is conceived as an ongoing conversation with photographic artists and theorists across a wide range of approaches and methodologies.
With: Matthew Connors, Anthony Elms, Daniel Gordon, Shane Huffman, Martin Jay, Doug Ischar, Barbara Kasten, Deana Lawson, Laura Letinsky, Margaret Olin, Chris Mottallini, and Thomas Struth.
9:30-10a / Coffee & Opening Remarks
10-11:30a / The Materiality of the Image
Shane Huffman (moderator)
11:30a- 1p / The Urgency of The Real
Doug Ishcar (moderator)
1-2:30p / Lunch
2:30-4p / Slippage of Description
Laura Letinsky (moderator)
4-5p / closing discussion & reception
Location: Gray Center Lab in Midway Studios, 929 E. 60th St., Chicago, IL (enter through red door east side of courtyard next to Logan Center for the Arts).
Sponsored by the Richard and Mary L. Gray Center for Arts and Inquiry, Department of Visual Arts, The Franke Institute for the Humanities, Logan Center Exhibitions, the Humanities Visiting Committee at The University of Chicago and the Office of the Provost for the Arts; with additional support from the Department of Art History, the Center for Interdisciplinary Research on German Literature and Culture, and the Goethe-Institut Chicago.