GRAY SOUND

Founded in 2019 by Gray Center Director and UChicago Associate Professor of Music and the Humanities, Seth Brodsky, Gray Sound is a new performance series focusing on experimental music and sound.

Envisioned as an ongoing performance and discussion series, Gray Sound represents a chance for artists and the broader community to tease the boundaries of sound—when it moves from voice to music, from a recognizable tune to noise.

Gray Sound kicked off with MUSIC'S OVER: Listening with Peter Ablinger, a 9-day residency with the experimental composer in January 2020. Ablinger's first visit to Chicago threaded talks, composition seminars, and experimental discussions in between multiple performance events featuring world premieres and internationally renowned ensembles. 

Events

24

Feb

 Feb 24, 2020, 6:00 PM – 8:00 PM
 Gray Center Lab

929 E. 60th St.
Chicago, IL 60637

A conversation and performance with Julia Eckhardt, a musician and curator in the field of the sonic arts. She is a founding member and artistic director of Q-O2 workspace in Brussels, for which she conceptualized various thematic research projects. As a performer of composed and improvised music she has collaborated with numerous artists, and extensively with Eliane Radigue. She has performed internationally, and released a number of recordings. She has been lecturing about topics such as sound, gender and public space, and is (co-)author of The Second Sound, conversation on gender and music, Grounds for Possible Music, The Middle Matter – sound as interstice, and Éliane Radigue – Intermediary Spaces/Espaces intermédiaires.

 

Past events

27

Jan

 Jan 27, 2020, 4:00 PM – 5:30 PM
 Columbia College

623 S Wabash Ave, room 109 (Hokins Lecture Hall) Chicago, IL 60605

“From the different modes of operation of art I prefer the one of setting a frame—not to fill it, but only to set it, as a suggestion, as an invitation to perception. Within the frame, something appears that is not art itself, but is made visible by it. The simplest example of this is the rectangle I shape with my fingers to enclose a frame... 

25

Jan

 Jan 25, 2020, 7:30 PM – 8:30 PM
 Gray Center Lab

University of Chicago, 929 E. 60th St., Chicago

a•pe•ri•od•ic presents 3 Places Chicago, an hour-length work from the ever-evolving Places series by Peter Ablinger. This site specific piece explores the acoustic characteristics of three unique spaces. Prior to the concert, each space is acoustically “measured” in order for the composer to identify the space’s prominent frequencies so that he may prepare scores specific to those rooms. With each performance, a new score is made and titled with its location... 

24

Jan

 Jan 24, 2020, 8:00 PM – 9:30 PM
 Reva and David Logan Center for the Arts, Performance Penthouse

University of Chicago, 915 E 60th St., Chicago

Composer Peter Ablinger and Chicago-based new music group Fonema Consort will delve together into an array of meanings of the human voice that preoccupy both parties—a clash of artistic worlds having in common the challenge of performative and perceptual notions in music. The septagenarian composer—one whose creative output intersects the modernist and conceptual, performative and technological—will create a new piece for the ensemble, drawing from previous reflections on the meaning of song...

23

Jan

 Jan 23, 2020, 8:00 PM – 9:30 PM
 Experimental Sound Studio

5925 N Ravenswood Ave, Chicago

Eric Wubbels will perform selections from Peter Ablinger's ground-breaking "Voices and Piano" series, with the composer at the mixing desk. The highlight of the evening is the world premiere performance of one of the newest additions to the series, a work using the voice of French radical intellectual and artist Georges Bataille...

23

Jan

 Jan 23, 2020, 5:00 PM – 7:00 PM
 Northwestern University

Regenstein Hall of Music, Master Classroom, 60 Arts Circle Dr, Evanston

Peter Ablinger leads the Northwestern University Composition Seminar. 
Free admission and open to the public.

22

Jan

 Jan 22, 2020, 6:00 PM – 9:00 PM
 Gray Center Lab

929 E. 60th Street, Chicago

Our special Peter Ablinger Sidebar will revolve around a fabulous elephant in the room: a large quasi-living/ghost-in-the-machine/computer-controlled “Automatenklavier” or automaton-piano. We’ll all take a listen to Ablinger’s latest work in his third Quadraturen or “Squarings” series, an installation in collaboration with artist and instrument builder Winfried Ritsch: MUSIC’S OVER...

21

Jan

 Jan 21, 2020, 5:00 PM – 7:00 PM
 Performance Penthouse, Reva and David Logan Center for the Arts

University of Chicago, 915 E 60th St

Peter Ablinger leads the University of Chicago Composition Seminar.
Free admission and open to the public.

21

Jan

 Jan 21, 2020, 10:00 AM – 5:00 PM
 Gray Center Lab

University of Chicago, 929 E. 60th St., Chicago

Tuesday, January 21 – Saturday, January 25, daily 10am-5pm

Running throughout the week at the Gray Center Lab will be the world premiere of MUSIC’S OVER, one of the most ambitious of Ablinger’s Quadraturen (“Squarings”) series: a computer-controlled piano performs a clangorous, spectrally derived “phonorealist” transcription of a raucous live Doors performance from 1970. Come by and press the red button on the piano, and prepare to lose and refind your way...

19

Jan

 Jan 19, 2020, 8:30 PM – 10:00 PM
 Constellation

3111 N Western Ave., Chicago

Wet Ink Ensemble performs two works by Peter Ablinger—IEAOV "8 Vitrines, Pigment Dust" for percussion and 4-channel electronics, featuring percussionist Ian Antonio, and Black Series, a collection of rigorously organized open-instrumentation works scored "for Rock Band" which must be performed from memory—alongside a world premiere by Sam Pluta written for a sextet of Wet Ink...